ROGER NORRINGTON: The Complete Erato Recordings (45 CDs) WARNER CLASSICS

Innovator, erudite, entertaining and acclaimed conductor Sir Roger Norrington founded the Schütz Choir, became founding music director of Kent Opera and established the London Classical Players, the period-instrument orchestra.

His recordings of historically informed Beethoven’s complete symphonies with the latter that opened his collaboration with EMI received unanimous critical acclaim. The success led to a busy and productive recording programme that covered music from Purcell and Handel to Wagner, Brahms and Bruckner, encompassing orchestral works, choral works and opera. A rich and varied collection of recordings released under EMI, Virgin and Warner Classics that illustrates the Guardian’s observation: “arguably the most important British conductor of the last half century … a man who has emphatically changed classical music for the better.”

Sir Roger Norrington: The Complete Erato Recordings (45 CDs) brings together all the recordings that the British conductor Sir Roger Norrington (b. 1934) made for EMI Classics, Virgin and Warner Classics Classics over the years from 1986 and 2004.

These recordings marked out Norrington internationally as an important and pioneering presence in the field of historically informed performance, particularly in the music of Beethoven and composers of the Romantic era. He achieved prominence at a time when ‘authentic’ performance had been focused primarily on music of the Classical, Baroque and Renaissance eras, i.e. pre-Beethoven.

Norrington’s impact was summed up in 1989 by the New York Times: “The English conductor Roger Norrington … has become about the hottest commodity in classical music … the most talked-about star of the early-music movement, which is devoted to the historical re-creation of the sounds and styles of performance akin to those the composer heard in his own lifetime. He has achieved this prominence partly through the widely recognized excellence of his interpretations, but also by his eager enthusiasm in pushing forward the chronological limits of the movement into familiar 19th-century Romantic repertory. Mr. Norrington isn’t playing ‘early music’ any more … but mainstream classical standards in a fresh and enlivening manner … No-one has been more admired in this repertory than Mr. Norrington, who has combined brisk tempos, dramatic accents, interpretive niceties and a lively responsiveness to period timbres into one vibrant package.”

When, at the age of 87 in 2021, Norrington gave his last-ever concert, the Guardian described him as “arguably the most important British conductor of the last half century … a man who has emphatically changed classical music for the better.”

Sir Roger Norrington was born in 1934 in Oxford, where his father was an academic.

He learned the violin and also sang as a boy chorister. While a student at Cambridge University he sang as a tenor and also started conducting. He went on to study conducting at the Royal College of Music, where his teachers included Sir Adrian Boult.

In 1962 he founded the Schütz Choir and in 1969 became founding music director of Kent Opera, an enterprising touring company with which the stage director Jonathan Miller was also closely associated. Its repertoire ranged from the Baroque to contemporary composers such as Tippett. Norrington remained with Kent Opera until 1984.

In 1978 Norrington established the London Classical Players, the period-instrument orchestra with which he made the vast majority of the recordings in this collection.

In London in 1987 Norrington and the London Classical Players achieved a major impact with The Beethoven Experience, a lively three-day programme of concerts, lectures and exhibitions that culminated in performances of Beethoven’s Symphonies nos 8 and 9. Norrington’s aim was “to recapture something of the exhilaration and disturbance Beethoven’s music generated in his day.”

While there was always scholarship behind Norrington’s performances, and he aroused much discussion with his observation of the composer’s metronome markings, he said: “I totally agree with those who have questioned the meaning of the word ‘authenticity’ … Of course, what we do is not ‘authentic’; I never use the word, myself. Passion is everything.”

When EMI released Norrington’s first recording of Beethoven symphonies (nos 2 and 8) in 1987, Gramophone wrote: “With this exceptionally exciting new record, Roger Norrington joins … a small elite of musicians working with period instruments whose interpretations of Haydn, Mozart and Beethoven can stand comparison with the best we have had on record on modern instruments during the past 20 or 30 years … Norrington’s way with Beethoven … is recognizably Toscaninian in some of its aspects … What really fascinates Norrington is rhythm and pulse and their determining agencies: eighteenth-century performing styles, instrumental articulacy (most notably, bowing methods), and Beethoven’s own metronome markings … This is the most interesting and enjoyable new record of a Beethoven symphony I have heard for some considerable time.”

The success of Norrington’s recordings with the London Classical Players of the Beethoven symphonies led to a busy and productive recording programme that covered music from Purcell and Handel to Wagner, Brahms and Bruckner, encompassing orchestral works, choral works and opera.

Norrington’s revelatory interpretation of Berlioz’s Symphonie fantastique (released in 1989) attracted particular attention. Gramophone described it as “a performance of imaginative sweep and excitement, and a record by which future performance of the work will have to be measured.”

Complementing the recordings with the London Classical Players are recordings made with: the Orchestra of St Luke’s (a live recording of a star-studded Rossini Bicentenary Concert in New York, 1992), Camerata Salzburg (Mozart concertos with Daniel Hope and Sebastian Knauer), and the Orchestra of the Age of Enlightenment (a recital of Handel opera arias by countertenor David Daniels). In the course of his conducting career, Norrington held posts with all three of these orchestras and with the Stuttgart Radio Symphony Orchestra, Zurich Chamber Orchestra, Orchestre de chambre de Paris and Bournemouth Sinfonietta.

Buoyed by his success with the London Classical Players, Norrington was invited to conduct such orchestras as the Berliner Philharmoniker, Wiener Phihamoniker, Leipzig Gewandhaus, Philadelphia Orchestra and Philharmonia. Over his career he made appearances with opera companies including the Royal Opera (Covent Garden), English National Opera, La Scala (Milan), La Fenice (Venice) and Wiener Staatsoper.

– Disc 1 –
1 Water Music, Suite No. 1 in F Major, HWV 348: I. Overture
2 Water Music, Suite No. 1 in F Major, HWV 348: II. Adagio E Staccato
3 Water Music, Suite No. 1 in F Major, HWV 348: III. Allegro – Andante
4 Water Music, Suite No. 1 in F Major, HWV 348: IV. Minuet
5 Water Music, Suite No. 1 in F Major, HWV 348: V. Air
6 Water Music, Suite No. 1 in F Major, HWV 348: VI. Minuet
7 Water Music, Suite No. 1 in F Major, HWV 348: VII. Bourree
8 Water Music, Suite No. 1 in F Major, HWV 348: VIII. Hornpipe
9 Water Music, Suite No. 1 in F Major, HWV 348: IX. Allegro
10 Water Music, Suite No. 2 in D Major, HWV 349: I. Allegro
11 Water Music, Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe
12 Water Music, Suite No. 2 in D Major, HWV 349: III. Menuet
13 Water Music, Suite No. 3 in G Major, HWV 350: IV. Rigaudons I & II
14 Water Music, Suite No. 2 in D Major, HWV 349: IV. Lentement
15 Water Music, Suite No. 2 in D Major, HWV 349: V. Bourree
16 Water Music, Suite No. 3 in G Major, HWV 350: VII. Menuets II & III
17 Water Music, Suite No. 3 in G Major, HWV 350: VIII. Gigues I & II
18 Water Music, Suite No. 2 in D Major, HWV 349: III. Menuet
19 Music for the Royal Fireworks, HWV 351: I. Overture
20 Music for the Royal Fireworks, HWV 351: II. Bourree
21 Music for the Royal Fireworks, HWV 351: III. La Paix
22 Music for the Royal Fireworks, HWV 351: IV. La Rejouissance
23 Music for the Royal Fireworks, HWV 351: V. Menuets I & II

– Disc 2 –
1 Symphony No. 99 in E-Flat Major, Hob. I:99: I. Adagio – Vivace Assai
2 Symphony No. 99 in E-Flat Major, Hob. I:99: II. Adagio
3 Symphony No. 99 in E-Flat Major, Hob. I:99: III. Menuetto. Allegretto
4 Symphony No. 99 in E-Flat Major, Hob. I:99: IV. Finale. Vivace
5 Symphony No. 100 in G Major, Hob. I:100 “Military”: I. Adagio – Allegro
6 Symphony No. 100 in G Major, Hob. I:100 “Military”: II. Allegretto
7 Symphony No. 100 in G Major, Hob. I:100 “Military”: III. Menuetto. Moderato
8 Symphony No. 100 in G Major, Hob. I:100 “Military”: IV. Finale. Presto
9 7 Magnificat-Antiphonen

– Disc 3 –
1 Symphony No. 101 in D Major, Hob. I:101 “Clock”: I. Adagio – Presto
2 Symphony No. 101 in D Major, Hob. I:101 “Clock”: II. Andante
3 Symphony No. 101 in D Major, Hob. I:101 “Clock”: III. Menuetto – Trio
4 Symphony No. 101 in D Major, Hob. I:101 “Clock”: IV. Finale. Vivace
5 Symphony No. 102 in B-Flat Major, Hob. I:102: I. Largo – Allegro Vivace
6 Symphony No. 102 in B-Flat Major, Hob. I:102: II. Adagio
7 Symphony No. 102 in B-Flat Major, Hob. I:102: III. Menuetto – Trio
8 Symphony No. 102 in B-Flat Major, Hob. I:102: IV. Finale. Presto

– Disc 4 –
1 Symphony No. 103 in E-Flat Major, Hob. I:103 “Drumroll”: I. Adagio – Allegro Con Spirito
2 Symphony No. 103 in E-Flat Major, Hob. I:103 “Drumroll”: II. Andante Più Tosto Allegretto
3 Symphony No. 103 in E-Flat Major, Hob. I:103 “Drumroll”: III. Menuet – Trio
4 Symphony No. 103 in E-Flat Major, Hob. I:103 “Drumroll”: IV. Finale. Allegro Con Spirito
5 Symphony No. 104 in D Major, Hob. I:104 “London”: I. Adagio – Allegro
6 Symphony No. 104 in D Major, Hob. I:104 “London”: II. Andante
7 Symphony No. 104 in D Major, Hob. I:104 “London”: III. Menuetto – Trio
8 Symphony No. 104 in D Major, Hob. I:104 “London”: IV. Finale. Spiritoso

– Disc 5 –
1 Symphony No. 38 in D Major, K. 504 “Prague”: I. Adagio – Allegro
2 Symphony No. 38 in D Major, K. 504 “Prague”: II. Andante
3 Symphony No. 38 in D Major, K. 504 “Prague”: III. Finale. Presto
4 Symphony No. 40 in G minor, K. 550: I. Molto Allegro
5 Symphony No. 40 in G minor, K. 550: II. Andante
6 Symphony No. 40 in G minor, K. 550: III. Menuetto. Allegretto
7 Symphony No. 40 in G minor, K. 550: IV. Allegro Assai
– Disc 6 –
1 Symphony No. 39 in E-Flat Major, K. 543: I. Adagio – Allegro
2 Symphony No. 39 in E-Flat Major, K. 543: II. Andante Con Moto
3 Symphony No. 39 in E-Flat Major, K. 543: III. Menuetto. Allegretto
4 Symphony No. 39 in E-Flat Major, K. 543: IV. Finale. Allegro
5 Symphony No. 41 in C Major, K. 551 “Jupiter”: I. Allegro Vivace
6 Symphony No. 41 in C Major, K. 551 “Jupiter”: II. Andante Cantabile
7 Symphony No. 41 in C Major, K. 551 “Jupiter”: III. Menuetto. Allegretto
8 Symphony No. 41 in C Major, K. 551 “Jupiter”: IV. Molto Allegro

– Disc 7 –
1 Piano Concerto No. 16 in D Major, K. 451: I. Allegro Assai
2 Piano Concerto No. 16 in D Major, K. 451: II. Andante
3 Piano Concerto No. 16 in D Major, K. 451: III. Allegro Di Molto
4 Violin Sonata No. 27 in G Major, K. 379: I. Adagio – Allegro
5 Violin Sonata No. 27 in G Major, K. 379: II. (A) Tema. Andante Cantabile
6 Violin Sonata No. 27 in G Major, K. 379: II. (B) Variation I
7 Violin Sonata No. 27 in G Major, K. 379: II. (C) Variation II
8 Violin Sonata No. 27 in G Major, K. 379: II. (D) Variation III
9 Violin Sonata No. 27 in G Major, K. 379: II. (E) Variation IV
10 Violin Sonata No. 27 in G Major, K. 379: II. (F) Variation V
11 Violin Sonata No. 27 in G Major, K. 379: III. Allegretto
12 Concerto for Piano and Violin in D Major, K. Anh. 56: I. Allegro (Compl. Wilby)
13 Concerto for Piano and Violin in D Major, K. Anh. 56: II. Andante Cantabile (Compl. Wilby)
14 Concerto for Piano and Violin in D Major, K. Anh. 56: III. Allegretto (Compl. Wilby)

– Disc 8 –
1 Piano Concerto No. 23 in a Major, K. 488: I. Allegro
2 Piano Concerto No. 23 in a Major, K. 488: II. Andante
3 Piano Concerto No. 23 in a Major, K. 488: III. Allegro Assai
4 Piano Concerto No. 20 in D minor, K. 466: I. Allegro
5 Piano Concerto No. 20 in D minor, K. 466: II. Romance
6 Piano Concerto No. 20 in D minor, K. 466: III. Allegro Assai

– Disc 9 –
1 Piano Concerto No. 24 in C minor, K. 491: I. Allegro
2 Piano Concerto No. 24 in C minor, K. 491: II. Larghetto
3 Piano Concerto No. 24 in C minor, K. 491: III. Allegretto
4 Piano Concerto No. 25 in C Major, K. 503: I. Allegro Maestoso (Cadenza By Tan)
5 Piano Concerto No. 25 in C Major, K. 503: II. Andante
6 Piano Concerto No. 25 in C Major, K. 503: III. Allegretto

– Disc 10 –
1 Maurerische Trauermusik, K. 477
2 Requiem in D minor, K. 626: I. Introitus (Compl. Druce)
3 Requiem in D minor, K. 626: II. Kyrie (Compl. Druce)
4 Requiem in D minor, K. 626: III. Dies Irae (Compl. Druce)
5 Requiem in D minor, K. 626: IV. Tuba Mirum (Compl. Druce)
6 Requiem in D minor, K. 626: V. Rex Tremendae (Compl. Druce)
7 Requiem in D minor, K. 626: VI. Recordare (Compl. Druce)
8 Requiem in D minor, K. 626: VII. Confutatis (Compl. Druce)
9 Requiem in D minor, K. 626: VIII. Lacrimosa (Compl. Druce)
10 Requiem in D minor, K. 626: IX. Amen (Compl. Druce)
11 Requiem in D minor, K. 626: X. Domine Jesu Christe (Compl. Druce)
12 Requiem in D minor, K. 626: XI. Hostias (Compl. Druce)
13 Requiem in D minor, K. 626: XII. Sanctus (Compl. Druce)
14 Requiem in D minor, K. 626: XIII. Benedictus (Compl. Druce)
15 Requiem in D minor, K. 626: XIV. Agnus Dei (Compl. Druce)
16 Requiem in D minor, K. 626: XV. Communio (Compl. Druce)
17 Ave Verum Corpus, K. 618

– Disc 11 –
1 Symphony No. 1 in C Major, Op. 21: I. Adagio Molto – Allegro Con Brio
2 Symphony No. 1 in C Major, Op. 21: II. Andante Cantabile Con Moto
3 Symphony No. 1 in C Major, Op. 21: III. Menuetto. Allegro Molto E Vivace
4 Symphony No. 1 in C Major, Op. 21: IV. Adagio – Allegro Molto E Vivace
5 Symphony No. 6 in F Major, Op. 68 “Pastoral”: I. Erwachen Heiterer Empfindungen Bei Der Ankunft Auf Dem Lande. Allegro Ma Non Troppo
6 Symphony No. 6 in F Major, Op. 68 “Pastoral”: II. Scene Am Bach. Andante Molto Moto
7 Symphony No. 6 in F Major, Op. 68 “Pastoral”: III. Lustiges Zusammensein Der Landleute. Allegro
8 Symphony No. 6 in F Major, Op. 68 “Pastoral”: IV. Gewitter. Sturm. Allegro
9 Symphony No. 6 in F Major, Op. 68 “Pastoral”: V. Hirtengesang. Frohe Und Dankbare Gefühle Nach Dem Sturm. Allegretto

– Disc 12 –
1 Symphony No. 2 in D Major, Op. 36: I. Adagio – Allegro Con Brio
2 Symphony No. 2 in D Major, Op. 36: II. Larghetto
3 Symphony No. 2 in D Major, Op. 36: III. Scherzo. Allegro
4 Symphony No. 2 in D Major, Op. 36: IV. Allegro Molto
5 Symphony No. 8 in F Major, Op. 93: I. Allegro Vivace E Con Brio
6 Symphony No. 8 in F Major, Op. 93: II. Allegretto Scherzando
7 Symphony No. 8 in F Major, Op. 93: III. Tempo Di Menuetto
8 Symphony No. 8 in F Major, Op. 93: IV. Allegro Vivace

– Disc 13 –
1 The Creatures of Prometheus, Op. 43: Overture
2 Symphony No. 3 in E-Flat Major, Op. 55 “Eroica”: I. Allegro Con Brio
3 Symphony No. 3 in E-Flat Major, Op. 55 “Eroica”: II. Marcia Funebre. Adagio Assai
4 Symphony No. 3 in E-Flat Major, Op. 55 “Eroica”: III. Scherzo. Allegro Vivace
5 Symphony No. 3 in E-Flat Major, Op. 55 “Eroica”: IV. Finale. Allegro Molto

– Disc 14 –
1 Symphony No. 4 in B-Flat Major, Op. 60: I. Adagio – Allegro Vivace
2 Symphony No. 4 in B-Flat Major, Op. 60: II. Adagio
3 Symphony No. 4 in B-Flat Major, Op. 60: III. Menuetto. Allegro Vivace
4 Symphony No. 4 in B-Flat Major, Op. 60: IV. Allegro Ma Non Troppo
5 Symphony No. 5 in C minor, Op. 67: I. Allegro Con Brio
6 Symphony No. 5 in C minor, Op. 67: II. Andante Con Moto
7 Symphony No. 5 in C minor, Op. 67: III. Allegro
8 Symphony No. 5 in C minor, Op. 67: IV. Allegro – Presto

– Disc 15 –
1 Coriolan Overture, Op. 62
2 Egmont, Op. 84: Overture
3 Symphony No. 7 in a Major, Op. 92: I. Poco Sostenuto – Vivace
4 Symphony No. 7 in a Major, Op. 92: II. Allegretto
5 Symphony No. 7 in a Major, Op. 92: III. Presto – Assai Meno Presto
6 Symphony No. 7 in a Major, Op. 92: IV. Allegro Con Brio

– Disc 16 –
1 Symphony No. 9 in D minor, Op. 125 “Choral”: I. Allegro Ma Non Troppo, Un Poco Maestoso
2 Symphony No. 9 in D minor, Op. 125 “Choral”: II. (A) Molto Vivace – Presto
3 Symphony No. 9 in D minor, Op. 125 “Choral”: II. (B) Molto Vivace – Presto
4 Symphony No. 9 in D minor, Op. 125 “Choral”: II. (C) Molto Vivace – Presto
5 Symphony No. 9 in D minor, Op. 125 “Choral”: III. Adagio Molto E Cantabile – Andante Moderato
6 Symphony No. 9 in D minor, Op. 125 “Choral”: IV. (A) Presto – Allegro Assai
7 Symphony No. 9 in D minor, Op. 125 “Choral”: IV. (B) Presto – Recitativo – Allegro Assai
8 Symphony No. 9 in D minor, Op. 125 “Choral”: IV. (C) Allegro Assai Vivace. Alla Marcia
9 Symphony No. 9 in D minor, Op. 125 “Choral”: IV. (D) Andante Maestoso – Adagio Ma Non Troppo, Ma Divoto
10 Symphony No. 9 in D minor, Op. 125 “Choral”: IV. (E) Allegro Energico E Sempre Ben Marcato
11 Symphony No. 9 in D minor, Op. 125 “Choral”: IV. (F) Allegro Ma Non Tanto – Poco Adagio
12 Symphony No. 9 in D minor, Op. 125 “Choral”: IV. (G) Poco Allegro, Stringendo Il Tempo, Sempre Più Allegro – Prestissimo

– Disc 17 –
1 Piano Concerto No. 2 in B-Flat Major, Op. 19: I. Allegro Con Brio
2 Piano Concerto No. 2 in B-Flat Major, Op. 19: II. Adagio
3 Piano Concerto No. 2 in B-Flat Major, Op. 19: III. Rondo. Molto Allegro
4 Piano Concerto No. 1 in C Major, Op. 15: I. Allegro Con Brio
5 Piano Concerto No. 1 in C Major, Op. 15: II. Largo
6 Piano Concerto No. 1 in C Major, Op. 15: III. Rondo. Allegro Scherzando

– Disc 18 –
1 Piano Concerto No. 3 in C minor, Op. 37: I. Allegro Con Brio
2 Piano Concerto No. 3 in C minor, Op. 37: II. Largo
3 Piano Concerto No. 3 in C minor, Op. 37: III. Rondo. Allegro
4 Piano Concerto No. 4 in G Major, Op. 58: I. Allegro Moderato
5 Piano Concerto No. 4 in G Major, Op. 58: II. Andante Con Moto
6 Piano Concerto No. 4 in G Major, Op. 58: III. Rondo. Vivace

– Disc 19 –
1 Piano Concerto No. 5 in E-Flat Major, Op. 73 “Emperor”: I. Allegro
2 Piano Concerto No. 5 in E-Flat Major, Op. 73 “Emperor”: II. Adagio Un Poco Mosso
3 Piano Concerto No. 5 in E-Flat Major, Op. 73 “Emperor”: III. Rondo. Allegro
4 Fantasia in C minor, Op. 80 “Choral Fantasy”: I. Adagio – Allegro
5 Fantasia in C minor, Op. 80 “Choral Fantasy”: II. Adagio, Ma Non Troppo – Marcia, Assai Vivace
6 Fantasy in C minor, Op. 80 “Choral Fantasy”: III. Allegro – Allegretto Ma Non Troppo

– Disc 20 –
1 Symphony No. 1 in C Major, Op. 19, J. 50: I. Allegro Con Fuoco
2 Symphony No. 1 in C Major, Op. 19, J. 50: II. Andante
3 Symphony No. 1 in C Major, Op. 19, J. 50: III. Scherzo. Presto
4 Symphony No. 1 in C Major, Op. 19, J. 50: IV. Finale. Presto
5 Konzertstück in F minor, Op. 79, J. 282: I. Larghetto Affetuoso
6 Konzertstück in F minor, Op. 79, J. 282: II. Allegro Appassionato
7 Konzertstück in F minor, Op. 79, J. 282: III. Adagio – Tempo Di Marcia
8 Konzertstück in F minor, Op. 79, J. 282: IV. Più Mosso – Presto Giocoso
9 Symphony No. 2 in C Major, J. 51: I. Allegro
10 Symphony No. 2 in C Major, J. 51: II. Adagio, Ma Non Troppo
11 Symphony No. 2 in C Major, J. 51: III. Menuetto. Allegro
12 Symphony No. 2 in C Major, J. 51: IV. Finale. Scherzo Presto

– Disc 21 –
1 Oberon, J. 306: Overture
2 The Hebrides, Op. 26, MWV P7 “Fingal’s Cave”
3 Les Francs-Juges, Op. 3, H 23D
4 Genoveva, Op. 81: Overture
5 Rosamunde, Op. 26, D. 797: Overture from Die Zauberharfe, D. 644
6 Der Fliegende Holländer: Overture

– Disc 22 –
1 La Scala Di Seta: Overture
2 Il Signor Bruschino (Or Il Figlio Per Azzardo): Overture
3 L’italiana in Algeri: Overture
4 Il Barbiere Di Siviglia: Overture
5 La Gazza Ladra: Overture
6 Semiramide: Overture
7 Guillaume Tell: Overture

– Disc 23 –
1 Symphony No. 4 in C minor, D. 417: I. Adagio Molto – Allegro Vivace
2 Symphony No. 4 in C minor, D. 417: II. Andante
3 Symphony No. 4 in C minor, D. 417: III. Menuetto. Allegro Vivace – Trio
4 Symphony No. 4 in C minor, D. 417: IV. Allegro
5 Symphony No. 6 in C Major, D. 589: I. Adagio – Allegro
6 Symphony No. 6 in C Major, D. 589: II. Andante
7 Symphony No. 6 in C Major, D. 589: III. Scherzo. Presto – Trio. Più Lento
8 Symphony No. 6 in C Major, D. 589: IV. Allegro Moderato

– Disc 24 –
1 Symphony No. 5 in B-Flat Major, D. 485: I. Allegro
2 Symphony No. 5 in B-Flat Major, D. 485: II. Andante Con Moto
3 Symphony No. 5 in B-Flat Major, D. 485: III. Menuetto. Allegro Molto – Trio
4 Symphony No. 5 in B-Flat Major, D. 485: IV. Allegro Vivace
5 Symphony No. 8 in B minor, D. 759 “Unfinished”: I. Allegro Moderato
6 Symphony No. 8 in B minor, D. 759 “Unfinished”: II. Andante Con Moto

– Disc 25 –
1 Symphony No. 9 in C Major, D. 944 “The Great”: I. Andante – Allegro Ma Non Troppo
2 Symphony No. 9 in C Major, D. 944 “The Great”: II. Andante Con Moto
3 Symphony No. 9 in C Major, D. 944 “The Great”: III. Scherzo. Allegro Vivace – Trio
4 Symphony No. 9 in C Major, D. 944 “The Great”: IV. Finale. Allegro Vivace

– Disc 26 –
1 Symphonie Fantastique, Op. 14, H 48: I. Rêveries – Passions. Largo – Allegro Agitato E Appassionato Assai
2 Symphonie Fantastique, Op. 14, H 48: II. Un Bal. Valse. Allegro Non Troppo
3 Symphonie Fantastique, Op. 14, H 48: III. Scene Aux Champs. Adagio
4 Symphonie Fantastique, Op. 14, H 48: IV. Marche Au Supplice. Allegretto Non Troppo
5 Symphonie Fantastique, Op. 14, H 48: V. Songe D’une Nuit Du Sabbat. Larghetto – Allegro

– Disc 27 –
1 Symphony No. 3 in a Minor, Op. 56, MWV N18 “Scottish”: I. Andante Con Moto – Allegro Un Poco Agitato
2 Symphony No. 3 in a Minor, Op. 56, MWV N18 “Scottish”: II. Vivace Non Troppo
3 Symphony No. 3 in a Minor, Op. 56, MWV N18 “Scottish”: III. Adagio
4 Symphony No. 3 in a Minor, Op. 56, MWV N18 “Scottish”: IV. Allegro Vivacissimo – Allegro Maestoso Assai
5 Symphony No. 4 in a Major, Op. 90, MWV N16 “Italian”: I. Allegro Vivace
6 Symphony No. 4 in a Major, Op. 90, MWV N16 “Italian”: II. Andante Con Moto
7 Symphony No. 4 in a Major, Op. 90, MWV N16 “Italian”: III. Con Modo Moderato
8 Symphony No. 4 in a Major, Op. 90, MWV N16 “Italian”: IV. Saltarello. Presto
– Disc 28 –
1 Symphony No. 3 in E-Flat Major, Op. 97 “Rhenish”: I. Lebhaft
2 Symphony No. 3 in E-Flat Major, Op. 97 “Rhenish”: II. Scherzo. Sehr Mäßig
3 Symphony No. 3 in E-Flat Major, Op. 97 “Rhenish”: III. Nicht Schnell
4 Symphony No. 3 in E-Flat Major, Op. 97 “Rhenish”: IV. Feierlich
5 Symphony No. 3 in E-Flat Major, Op. 97 “Rhenish”: V. Lebhaft
6 Symphony No. 4 in D minor, Op. 120: I. Ziemlich Langsam – Lebhaft
7 Symphony No. 4 in D minor, Op. 120: II. Romanze. Ziemlich Langsam
8 Symphony No. 4 in D minor, Op. 120: III. Scherzo. Lebhaft
9 Symphony No. 4 in D minor, Op. 120: IV. Langsam – Presto

– Disc 29 –
1 Rienzi: Overture
2 Tristan Und Isolde, Act 1: Prelude
3 Tristan Und Isolde, Act 3: Isoldes Liebestod. “Mild Und Leise”
4 Die Meistersinger Von Nürnberg, Act 1: Prelude
5 Siegfried-Idyll
6 Parsifal, Act 1: Prelude
7 Lohengrin, Act 1: Prelude

– Disc 30 –
1 Symphony No. 3 in D minor, Wab 103 “Wagner Symphony”: I. Gemäßigt, Mehr Bewegt, Misterioso (1873 Version)
2 Symphony No. 3 in D minor, Wab 103 “Wagner Symphony”: II. Adagio. Bewegt, Quasi Andante (1873 Version)
3 Symphony No. 3 in D minor, Wab 103 “Wagner Symphony”: III. Scherzo. Ziemlich Schnell (1873 Version)
4 Symphony No. 3 in D minor, Wab 103 “Wagner Symphony”: IV. Finale. Allegro (1873 Version)

– Disc 31 –
1 National Anthem of the Czech Republic
2 MÁ Vlast: I. Vysehrad
3 MÁ Vlast: II. Vltava
4 MÁ Vlast: III. Sárka
5 MÁ Vlast: IV. Z Ceskych Luhu a Haju
6 MÁ Vlast: V. Tábor
7 MÁ Vlast: VI. Blaník

– Disc 32 –
1 Variations on a Theme By Haydn, Op. 56A “ST. Antoni Chorale”: Theme. Andante
2 Variations on a Theme By Haydn, Op. 56A “ST. Antoni Chorale”: Variation I. Poco Più Animato
3 Variations on a Theme By Haydn, Op. 56A “ST. Antoni Chorale”: Variation II. Più Vivace
4 Variations on a Theme By Haydn, Op. 56A “ST. Antoni Chorale”: Variation III. Con Moto
5 Variations on a Theme By Haydn, Op. 56A “ST. Antoni Chorale”: Variation IV. Andante Con Moto
6 Variations on a Theme By Haydn, Op. 56A “ST. Antoni Chorale”: Variation V. Vivace
7 Variations on a Theme By Haydn, Op. 56A “ST. Antoni Chorale”: Variation VI. Vivace
8 Variations on a Theme By Haydn, Op. 56A “ST. Antoni Chorale”: Variation VII. Grazioso
9 Variations on a Theme By Haydn, Op. 56A “ST. Antoni Chorale”: Variation VIII. Presto Non Troppo
10 Variations on a Theme By Haydn, Op. 56A “ST. Antoni Chorale”: Variation IX. Finale – Andante
11 Symphony No. 1 in C minor, Op. 68: I. Un Poco Sostenuto – Allegro
12 Symphony No. 1 in C minor, Op. 68: II. Andante Sostenuto
13 Symphony No. 1 in C minor, Op. 68: III. Un Poco Allegretto E Grazioso
14 Symphony No. 1 in C minor, Op. 68: IV. Finale. Adagio

– Disc 33 –
1 Tragic Overture, Op. 81
2 Symphony No. 2 in D Major, Op. 73: I. Allegro Non Troppo
3 Symphony No. 2 in D Major, Op. 73: II. Adagio Non Troppo
4 Symphony No. 2 in D Major, Op. 73: III. Allegretto Grazioso. Quasi Andantino
5 Symphony No. 2 in D Major, Op. 73: IV. Allegro Con Spirito

– Disc 34 –
1 Symphony No. 3 in F Major, Op. 90: I. Allegro Con Brio – Un Poco Sostenuto
2 Symphony No. 3 in F Major, Op. 90: II. Andante
3 Symphony No. 3 in F Major, Op. 90: III. Poco Allegretto
4 Symphony No. 3 in F Major, Op. 90: IV. Allegro – Un Poco Sostenuto
5 Symphony No. 4 in E minor, Op. 98: I. Allegro Non Troppo
6 Symphony No. 4 in E minor, Op. 98: II. Andante Moderato
7 Symphony No. 4 in E minor, Op. 98: III. Allegro Giocoso
8 Symphony No. 4 in E minor, Op. 98: IV. Allegro Energico E Passionato

– Disc 35 –
1 Begräbnisgesang Op. 13
2 Ein Deutsches Requiem, Op. 45: I. Selig Sind Die Da Leid Tragen
3 Ein Deutsches Requiem, Op. 45: II. Denn Alles Fleisch Es Ist Wie Gras
4 Ein Deutsches Requiem, Op. 45: III. Herr, Lehre Doch Mich
5 Ein Deutsches Requiem, Op. 45: IV. Wie Lieblich Sind Deine Wohnungen
6 Ein Deutsches Requiem, Op. 45: V. Ihr Habt Nun Traurigkeit
7 Ein Deutsches Requiem, Op. 45: VI. Denn Wir Haben Hie Keine Bleibende Statt
8 Ein Deutsches Requiem, Op. 45: VII. Selig Sind Die Toten

– Disc 36 –
1 The Fairy Queen, Z. 629: First Music. Prelude
2 The Fairy Queen, Z. 629: First Music. Hornpipe
3 The Fairy Queen, Z. 629: Second Music. Air
4 The Fairy Queen, Z. 629: Second Music. Rondeau
5 The Fairy Queen, Z. 629: Overture
6 The Fairy Queen, Z. 629, Act I: Duet. “Come, Let Us Leave the Town”
7 The Fairy Queen, Z. 629, Act I: Scene of the Drunken Poet. “Fill Up the Bowl”
8 The Fairy Queen, Z. 629, Act I: First Act Tune. Jig
9 The Fairy Queen, Z. 629, Act II. Song. “Come All Ye Songsters of the Sky”
10 The Fairy Queen, Z. 629, Act II: Prelude
11 The Fairy Queen, Z. 629, Act II: Trio. “May the God of Wit Inspire”
12 The Fairy Queen, Z. 629, Act II: Echo
13 The Fairy Queen, Z. 629, Act II: Chorus. “Now Join Your Warbling Voices All”
14 The Fairy Queen, Z. 629, Act II: Song and Chorus. “Sing While We Trip It”
15 The Fairy Queen, Z. 629, Act II. Song. “See, Even Night Herself Is Here”
16 The Fairy Queen, Z. 629, Act II. Song. “I Am Come to Lock All Fast”
17 The Fairy Queen, Z. 629, Act II. Song. “One Charming Night”
18 The Fairy Queen, Z. 629, Act II: Song and Chorus. “Hush, No More”
19 The Fairy Queen, Z. 629, Act II: Dance for the Followers of Night
20 The Fairy Queen, Z. 629, Act II: Second Act Tune. Air
21 The Fairy Queen, Z. 629, Act III. Song and Chorus. “If Love’s a Sweet Passion”
22 The Fairy Queen, Z. 629, Act III. Symphony While the Swans Come Forward
23 The Fairy Queen, Z. 629, Act III: Dance for the Fairies
24 The Fairy Queen, Z. 629, Act III: Dance for the Green Men
25 The Fairy Queen, Z. 629, Act III: Song. “Ye Gentle Spirits of the Air”
26 The Fairy Queen, Z. 629, Act III: Dialogue Between Coridon and Mopsa. “Now the Maids and the Men”
27 The Fairy Queen, Z. 629, Act III: Dance for the Haymakers
28 The Fairy Queen, Z. 629, Act III. Song. “When I Have Often Heard”
29 The Fairy Queen, Z. 629, Act III: Duet. “A Thousand, Thousand Ways”
30 The Fairy Queen, Z. 629, Act III: Third Act Tune. Hornpipe
– Disc 37 –
1 The Fairy Queen, Z. 629, Act IV: Symphony
2 The Fairy Queen, Z. 629, Act IV: Song and Chorus. “Now the Night Is Chased Away”
3 The Fairy Queen, Z. 629, Act IV: Duet. “Let the Fifes and the Clarions”
4 The Fairy Queen, Z. 629, Act IV: Entry of Phoebus
5 The Fairy Queen, Z. 629, Act IV: Song and Chorus. “When a Cruel Long Winter”
6 The Fairy Queen, Z. 629, Act IV: Chorus.”Hail! Great Parent of Us All”
7 The Fairy Queen, Z.629, Act IV: Song. “Thus the Ever Grateful Spring”
8 The Fairy Queen, Z. 629, Act IV: Song. “Here’s the Summer, Sprightly, Gay”
9 The Fairy Queen, Z. 629, Act IV: Song. “See, See My Many Colour’d Fields”
10 The Fairy Queen, Z. 629, Act IV: Song. “Now Winter Comes Slowly”
11 The Fairy Queen, Z. 629, Act IV: Chorus.”Hail! Great Parent of Us All” (Reprise)
12 The Fairy Queen, Z. 629, Act IV: Fourth Act Tune. Air
13 The Fairy Queen, Z. 629, Act V. Prelude
14 The Fairy Queen, Z. 629, Act V. Epithalamium. “Thrice Happy Lovers”
15 The Fairy Queen, Z. 629, Act V: The Plaint. “O Let Me Ever, Ever Weep”
16 The Fairy Queen, Z. 629, Act V: Entry Dance
17 The Fairy Queen, Z. 629, Act V: Symphony
18 The Fairy Queen, Z. 629, Act V: Song. “Thus the Gloomy World”
19 The Fairy Queen, Z. 629, Act V: Song and Chorus. “Thus Happy and Free”
20 The Fairy Queen, Z. 629, Act V: Song. “Yes, Daphne”
21 The Fairy Queen, Z. 629, Act V: Monkey’s Dance
22 The Fairy Queen, Z. 629, Act V: Song. “Hark! How All Things”
23 The Fairy Queen, Z. 629, Act V: Song. “Hark! the Echoing Air”
24 The Fairy Queen, Z. 629, Act V: Duet and Chorus. “Sure the Dull God”
25 The Fairy Queen, Z. 629, Act V: Prelude
26 The Fairy Queen, Z. 629, Act V: Song. “See, I Obey”
27 The Fairy Queen, Z. 629, Act V: Duet. “Turn Then Thine Eyes”
28 The Fairy Queen, Z. 629, Act V: Song. “My Torch Indeed”
29 The Fairy Queen, Z. 629, Act V: Trio and Chorus. “They Shall Be As Happy As They’re Fair”
30 The Fairy Queen, Z. 629, Act V: Chaconne

– Disc 38 –
1 Serse, HWV 40, Act 1, Scene 1: Accompagnato. “Frondi Tenere” – Arioso. “Ombra Mai FÙ” (Serse)
2 Serse, HWV 40, Act 1, Scene 1: Arioso. “Ombra Mai FÙ” (Serse)
3 Giulio Cesare in Egitto, HWV 17, Act 1: Aria. “Va Tacito E Nascosto” (Cesare)
4 Giulio Cesare in Egitto, HWV 17, Act 2: Aria. “Al Lampo Dell’ Armi” (Cesare)
5 Giulio Cesare in Egitto, HWV 17, Act 3: Recitativo. “Dall’ondoso Periglio” (Cesare)
6 Giulio Cesare in Egitto, HWV 17, Act 3: Aria. “Aure, Deh, Per Pieta” (Cesare)
7 Tamerlano, HWV 18, Act 3: Aria. “A Dispetto D’un Volto Ingrato” (Andronico)
8 Ariodante, HWV 33, Act 2: Recitativo. “E Vivo Ancora?” (Ariodante)
9 Ariodante, HWV 33, Act 2: Aria. “Scherza Infida!” (Ariodante)
10 Giulio Cesare in Egitto, HWV 17, Act 1: Aria. “Cara Speme, Questo Core” (Sesto)
11 Giulio Cesare in Egitto, HWV 17, Act 2: Aria. “L’angue Offeso Mai Riposa” (Sesto)
12 Rodelinda, HWV 19, Act 1, Scene 6: Sinfonia – Recitativo. “Pompe Vanne Di Morte!” (Bertarido)
13 Rodelinda, HWV 19, Act 1, Scene 6: Aria. “Dove Sei, Amato Bene?” (Bertarido)
14 Rodelinda, HWV 19, Act 3, Scene 7: Aria. “Vivi, Tiranno!” (Bertarido)
15 Rinaldo, HWV 7, Act 1: Aria. “Cara Sposa” (Rinaldo)
16 Rinaldo, HWV 7, Act 1: Aria. “Venti, Turbini, Prestate” (Rinaldo)

– Disc 39 –
1 Don Giovanni, K. 527: Overture
2 Don Giovanni, K. 527, Act 1: Introduzione. “Notte E Giorno Faticar” – “Lasciala, Indegno!” (Leporello, Donna Anna, Don Giovanni, Il Commendatore)
3 Don Giovanni, K. 527, Act 1: Recitativo. “Leporello, Ove Sei?” (Don Giovanni, Leporello)
4 Don Giovanni, K. 527, Act 1: Recitativo. “Ah! Del Padre in Periglio” – Recitativo Accompagnato. “Ma Qual Mai S’offre, Oh Dei” (Donna Anna, Don Ottavio)
5 Don Giovanni, K. 527, Act 1: Duetto. “Fuggi, Crudele, Fuggi!” (Donna Anna, Don Ottavio)
6 Don Giovanni, K. 527, Act 1: Recitativo. “Orsù, Spicciati Presto” (Don Giovanni, Leporello)
7 Don Giovanni, K. 527, Act 1: Aria. “Ah! Chi Mi Dice Mai” (Donna Elvira, Don Giovanni, Leporello)
8 Don Giovanni, K. 527, Act 1: Recitativo. “Chi E La?” (Donna Elvira, Don Giovanni, Leporello)
9 Don Giovanni, K. 527, Act 1: Aria. “Madamina, Il Catalogo E Questo” (Leporello)
10 Don Giovanni, K. 527, Act 1: Recitativo. “In Questa Forma Dunque” (Donna Elvira)
11 Don Giovanni, K. 527, Act 1: Coro. “Giovinette Che Fate All’amore” (Zerlina, Masetto, Coro)
12 Don Giovanni, K. 527, Act 1: Recitativo. “Manco Sale E Partita” (Don Giovanni, Leporello, Zerlina, Masetto)
13 Don Giovanni, K. 527, Act 1: Aria. “Ho Capito, Signor Si” (Masetto)
14 Don Giovanni, K. 527, Act 1: Recitativo. “Alfin Siam Liberati” (Don Giovanni, Zerlina)
15 Don Giovanni, K. 527, Act 1: Duettino. “La CI Darem la Mano” (Don Giovanni, Zerlina)
16 Don Giovanni, K. 527, Act 1: Recitativo. “Fermati, Scellerato” (Donna Elvira, Zerlina, Don Giovanni)
17 Don Giovanni, K. 527, Act 1: Aria. “Ah, Fuggi Il Traditor” (Donna Elvira)
18 Don Giovanni, K. 527, Act 1: Recitativo. “Mi Par Ch’oggi Il Demonio Si Diverta” – Recitativo. “Ah! Ti Retrovo Ancor” (Donna Elvira, Don Giovanni, Don Ottavio, Donna Anna)
19 Don Giovanni, K. 527, Act 1: Quartetto. “Non Ti Fidar, O Misera” (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni)
20 Don Giovanni, K. 527, Act 1: Recitativo. “Povera Sventurata!” (Don Giovanni)
21 Don Giovanni, K. 527, Act 1: Recitativo Accompagnato. “Don Ottavio, Son Morta!” (Donna Anna, Don Ottavio)
22 Don Giovanni, K. 527, Act 1: Aria. “Or Sai Chi L’onore” (Donna Anna)
23 Don Giovanni, K. 527, Act 1: Recitativo. “Come Mai Creder Deggio” (Don Ottavio)
24 Don Giovanni, K. 527, Act 1: Recitativo. “Io Deggio Ad Ogni Patto” (Leporello, Don Giovanni)
25 Don Giovanni, K. 527, Act 1: Aria. “Fin Ch’han Dal Vino” (Don Giovanni)
26 Don Giovanni, K. 527, Act 1: Recitativo. “Masetto, Senti Un Po’!” (Zerlina, Masetto)
27 Don Giovanni, K. 527, Act 1: Aria. “Batti, Batti, O Bel Masetto” (Zerlina)
28 Don Giovanni, K. 527, Act 1: Recitativo. “Guarda Un Po'” (Masetto, Don Giovanni, Zerlina)
29 Don Giovanni, K. 527, Act 1: Finale. “Presto, Presto Pria Ch’ei Venga” (Masetto, Zerlina, Don Giovanni, Coro)
30 Don Giovanni, K. 527, Act 1: “Bisogna Aver Coraggio” (Donna Elvira, Don Ottavio, Donna Anna, Leporello, Don Giovanni)
31 Don Giovanni, K. 527, Act 1: “Protegge Il Giusto Cielo” (Donna Anna, Don Ottavio, Donna Elvira)
32 Don Giovanni, K. 527, Act 1: “Riposate, Vezzose Ragazze!” (Don Giovanni, Leporello, Masetto, Zerlina)
33 Don Giovanni, K. 527, Act 1: “Venite Pur Avanti” (Leporello, Don Giovanni, Donna Anna, Donna Elvira, Don Ottavio, Masetto, Zerlina)
34 Don Giovanni, K. 527, Act 1: “Ecco Il Birbo Che T’ha Offesa” – “Trema, Trema, O Scellerato!” (Don Giovanni, Leporello, Don Ottavio, Donna Elvira, Donna Anna, Zerlina, Masetto)

– Disc 40 –
1 Don Giovanni, K. 527, Act 2: Duetto. “Eh Via Buffone, Non Mi Seccar” (Don Giovanni, Leporello)
2 Don Giovanni, K. 527, Act 2: Recitativo. “Leporello!” (Don Giovanni, Leporello)
3 Don Giovanni, K. 527, Act 2: Terzetto. “Ah! Taci, Ingiusto Core!” (Donna Elvira, Leporello, Don Giovanni)
4 Don Giovanni, K. 527, Act 2: Recitativo. “Amico, Che Ti Par?” – “Eccomi a Voi” (Donna Elvira, Don Giovanni, Leporello)
5 Don Giovanni, K. 527, Act 2: Canzonetta. “Deh, Vieni Alla Finestra” (Don Giovanni)
6 Don Giovanni, K. 527, Act 2: Recitativo. “V’e Gente Alla Finestra” (Don Giovanni, Masetto)
7 Don Giovanni, K. 527, Act 2: Aria. “Meta Di Voi Qua Vadano” (Don Giovanni)
8 Don Giovanni, K. 527, Act 2: Recitativo. “Zitto! Lascia Ch’io Senta” – Recitativo. “Ahi! Ahi! la Testa Mia” (Don Giovanni, Masetto, Zerlina)
9 Don Giovanni, K. 527, Act 2: Aria. “Vedrai, Carino” (Zerlina)
10 Don Giovanni, K. 527, Act 2: Recitativo. “Di Molte Faci Il Lume” (Leporello, Donna Elvira)
11 Don Giovanni, K. 527, Act 2: Sestetto. “Sola, Sola, in Buio Loco” (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto)
12 Don Giovanni, K. 527, Act 2: Sestetto. “Mille Torbidi Pensieri” (Leporello, Donna Anna, Zerlina, Donna Elvira, Don Ottavio, Masetto)
13 Don Giovanni, K. 527, Act 2: Recitativo. “Dunque Quello Sei Tu” (Zerlina, Donna Elvira, Don Ottavio, Masetto)
14 Don Giovanni, K. 527, Act 2: Aria. “Ah, Pieta, Signori Miei” (Leporello)
15 Don Giovanni, K. 527, Act 2: Recitativo. “Ferma, Perfido, Ferma” (Donna Elvira, Masetto, Zerlina, Don Ottavio)
16 Don Giovanni, K. 527, Act 2: Aria. “Il Mio Tesoro Intanto” (Don Ottavio)
17 Don Giovanni, K. 527, Act 2: Recitativo. “Ah, Ah, Ah, Ah, Questa E Buona” (Don Giovanni, Leporello, Il Commendatore)
18 Don Giovanni, K. 527, Act 2: Duetto. “O Statua Gentilissima” (Leporello, Don Giovanni, Commendatore)
19 Don Giovanni, K. 527, Act 2: Recitativo. “Calmatevi, Idol Mio!” (Don Ottavio, Donna Anna)
20 Don Giovanni, K. 527, Act 2: Recitativo Accompagnato. “Crudele? Ah No, Mio Bene” (Donna Anna)
21 Don Giovanni, K. 527, Act 2: Rondo. “Non Mi Dir, Bell’idol Mio” (Donna Anna)
22 Don Giovanni, K. 527, Act 2: Recitativo. “Ah, Si Segua Il Suo Passo” (Don Ottavio)
23 Don Giovanni, K. 527, Act 2: Finale. “Gia la Mensa E Preperata” (Don Giovanni, Leporello)
24 Don Giovanni, K. 527, Act 2: Recitativo. “L’ultima Prova Dell’amor Mio” (Donna Elvira, Don Giovanni, Leporello)
25 Don Giovanni, K. 527, Act 2: “Ah Signor, Per Carita!” (Leporello, Don Giovanni)
26 Don Giovanni, K. 527, Act 2: “Don Giovanni, a Cenar Teco” – “Da Qual Tremore Insolito” (Don Giovanni, Coro, Leporello, Il Commendatore)
27 Don Giovanni, K. 527, Act 2: “Ah! Dove E Perfido” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello)
28 Don Giovanni, K. 527, Act 2: “Or Che Tutti, O Mio Tesoro” (Don Ottavio, Donna Anna, Donna Elvira, Zerlina, Masetto, Leporello)
29 Don Giovanni, K. 527, Act 2: “Questo E Il Fin Di Chi Fa Mal!” (Donna Elvira, Donna Anna, Zerlina, Don Ottavio, Masetto, Leporello)

– Disc 41 –
1 Don Giovanni, K. 527, Act 1: Recitativo. “Come Mai Creder Deggio” (Don Ottavio)
2 Don Giovanni, K. 527, Act 1: Aria. “Dalla Sua Pace” (Don Ottavio)
3 Don Giovanni, K. 527, Act 1: Recitativo. “Io Deggio Ad Ogni Patto” (Leporello, Don Giovanni)
4 Don Giovanni, K. 527, Act 1: Aria. “Fin Ch’han Dal Vino” (Don Giovanni)
5 Don Giovanni, K. 527, Act 1: Recitativo. “Masetto, Senti Un Po’!” (Zerlina, Masetto)
6 Don Giovanni, K. 527, Act 1: Aria. “Batti, Batti, O Bel Masetto” (Zerlina)
7 Don Giovanni, K. 527, Act 2: Recitativo. “Dunque Quello Sei Tu” (Zerlina, Donna Elvira, Don Ottavio, Masetto)
8 Don Giovanni, K. 527, Act 2: Recitativo. “Ah Pieta. Compassion” (Leporello, Don Ottavio)
9 Don Giovanni, K. 527, Act 2: Recitativo. “Ferma, Perfido, Ferma” (Donna Elvira, Masetto, Zerlina, Don Ottavio)
10 Don Giovanni, K. 527, Act 2: Recitativo. “Restati Qua” (Zerlina, Leporello)
11 Don Giovanni, K. 527, Act 2: Duetto. “Per Queste Tue Manine” (Zerlina, Leporello)
12 Don Giovanni, K. 527, Act 2: Recitativo. “Amico, Per Pieta” (Leporello)
13 Don Giovanni, K. 527, Act 2: Recitativo. “Andiam, Andiam, Signora” (Zerlina, Donna Elvira, Masetto)
14 Don Giovanni, K. 527, Act 2: Recitativo Accompagnato. “In Quali Eccessi, O Numi” (Donna Elvira)
15 Don Giovanni, K. 527, Act 2: Aria. “Mi Tradì Quell’alma Ingrata” (Donna Elvira)
16 Don Giovanni, K. 527, Act 2: Recitativo. “Ah, Ah, Ah, Ah, Questa E Buona” (Don Giovanni, Leporello, Il Commendatore)
17 Don Giovanni, K. 527, Act 2: Duetto. “O Statua Gentilissima” (Leporello, Don Giovanni, Commendatore)
18 Don Giovanni, K. 527, Act 2: Finale. “Gia la Mensa E Preperata” (Don Giovanni, Leporello)
19 Don Giovanni, K. 527, Act 2: Recitativo. “L’ultima Prova Dell’amor Mio” (Donna Elvira, Don Giovanni, Leporello)
20 Don Giovanni, K. 527, Act 2: “Ah Signor, Per Carita!” (Leporello, Don Giovanni)
21 Don Giovanni, K. 527, Act 2: “Don Giovanni, a Cenar Teco” – “Da Qual Tremore Insolito” (Don Giovanni, Coro, Leporello, Il Commendatore)
22 Don Giovanni, K. 527, Act 2: “Ah! Dove E Perfido” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello)
23 Don Giovanni, K. 527, Act 2: “Questo E Il Fin Di Chi Fa Mal!” (Donna Elvira, Donna Anna, Zerlina, Don Ottavio, Masetto, Leporello)

– Disc 42 –
1 Die Zauberflote, K. 620: Ouverture. Adagio – Allegro
2 Die Zauberflote, K. 620, Act 1 Scene 1: No. 1, Introduction, “Zu Hilfe! Zu Hilfe!” (Tamino, Drei Damen)
3 Die Zauberflote, K. 620, Act 1 Scene 1: “Ich Sollte Fort! Ei Ei! Wie Fein!” (Drei Damen)
4 Die Zauberflote, K. 620, Act 1 Scene 1: Dialog, “Wo Bin Ich? Ist’s Phantasie, Dass Ich Noch Lebe?” (Tamino)
5 Die Zauberflote, K. 620, Act 1 Scene 2: Dialog, “Was Hor’ Ich?” (Tamino) – No. 2, Aria, “Der Vogelfänger Bin Ich Ja” (Papageno)
6 Die Zauberflote, K. 620, Act 1 Scene 2: Dialog, “He Da! Was Da?” (Tamino, Papageno)
7 Die Zauberflote, K. 620, Act 1 Scene 3: Dialog, “Papageno! Wer Sind Diese Damen?” (Drei Damen, Papageno, Tamino)
8 Die Zauberflote, K. 620, Act 1 Scene 4: No. 3, Arie, “Dies Bildnis Ist Bezaubernd Schon” (Tamino)
9 Die Zauberflote, K. 620, Act 1 Scene 5: Dialog, “Rüste Dich Mit Mut Und Standhaftigkeit Sie Kommt!” (Drei Damen, Tamino)
10 Die Zauberflote, K. 620, Act 1 Scene 6: No. 4, Rezitativ Und Arie, “O Zittre Nicht, Mein Lieber Sohn!” (Konigin Der Nacht)
11 Die Zauberflote, K. 620, Act 1 Scene 6: Dialog, “Ist’s Denn Auch Wirklichkeit, Was Ich Sah?” (Tamino)
12 Die Zauberflote, K. 620, Act 1 Scene 7: No. 5, Quintett, “HM! HM! HM! HM!” (Papageno, Tamino, Drei Damen)
13 Die Zauberflote, K. 620, Act 1 Scene 9: Dialog, “Ha, Ha, Ha” (Drei Sklaven, Monostatos)
14 Die Zauberflote, K. 620, Act 1 Scene 9: No. 6, Terzett, “Du Feines Täubchen, Nur Herein!” (Monostatos, Pamina, Papageno)
15 Die Zauberflote, K. 620, Act 1 Scene 11: Dialog, “Mutter – Mutter – Mutter! Bin Ich Nicht Ein Narr” (Pamina, Papageno)
16 Die Zauberflote, K. 620, Act 1 Scene 12: No. 7, Duett, “Bei Männern, Welche Liebe Fühlen” (Pamina, Papageno)
17 Die Zauberflote, K. 620, Act 1 Scene 13: No. 8, Finale, “Zum Ziele FÜHRT Dich Diese Bahn” (Drei Knaben, Tamino)
18 Die Zauberflote, K. 620, Act 1 Scene 13: “Die Weisheitslehre Dieser Knaben O Ew’ge Nacht!” (Tamino, Sprecher, Priester)
19 Die Zauberflote, K. 620, Act 1 Scene 13: Arie, “Wie Stark Ist Nicht Dein Zauberton!” (Tamino)
20 Die Zauberflote, K. 620, Act 1 Scene 14: “Schnelle Füsse, Rascher Mut Nur Geschwinde, Nur Geschwinde Wer Viel Wagt, Gewinnt Oft Viel! Das Klinget So Herrlich Konnte Jeder Brave Mann” (Pamina, Papageno, Monostatos, Die Sklaven)
21 Die Zauberflote, K. 620, Act 1 Scene 15: “Es Lebe Sarastro! Sarastro Lebe!” (Die Gefolge, Papageno, Pamina)
22 Die Zauberflote, K. 620, Act 1 Scene 16: “Herr! Ich Bin Zwar Verbrecherin!” (Pamina, Sarastro)
23 Die Zauberflote, K. 620, Act 1 Scene 17: “Nun, Stolzer Jüngling, Nur Hierher!” (Monostatos, Pamina, Tamino, Sarastro, Die Gefolge)
24 Die Zauberflote, K. 620, Act 1 Scene 17: Chor, “Wenn Tugend Und Gerechtigkeit” (Die Gefolge)
25 Die Zauberflote, K. 620, Act 2 Scene 1: No. 9, Marsch Der Priester (Andante)
26 Die Zauberflote, K. 620, Act 2 Scene 1: Dialog, “Ihr, in Dem Weisheitstempel Eingeweihten Diener Grosser Sarastro” (Sarastro, Drei Priester, Sprecher)
27 Die Zauberflote, K. 620, Act 2: “O Isis Und Osiris” (Sarastro, Chorus)

– Disc 43 –
1 Die Zauberflote, K. 620, Act 2 Scene 2: Dialog, “Eine Schreckliche Nacht!” (Tamino, Papageno, Sprecher, Zweiter Priester)
2 Die Zauberflote, K. 620, Act 2 Scene 3: No. 11, Duett, “Bewahret Euch Vor Weibertücken” (Zweiter Priester, Sprecher)
3 Die Zauberflote, K. 620, Act 2 Scene 4: Dialog, “He, Lichter Her! Lichter Her!” (Papageno, Tamino)
4 Die Zauberflote, K. 620, Act 2 Scene 5: No. 12, Quintett, “Wie? Wie? Wie?” (Drei Damen, Papageno, Tamino, Die Eingeweihten)
5 Die Zauberflote, K. 620, Act 2 Scene 6: Dialog, “Heil Dir, Jüngling! Dein Standhaft Männliches Betragen Hat Gesiegt” (Sprecher, Zweiter Priester, Papageno)
6 Die Zauberflote, K. 620, Act 2 Scene 7: Dialog, “Ha, Da Find’ich Ja Die Sprode Schone!” (Monostatos)
7 Die Zauberflote, K. 620, Act 2 Scene 7: No. 13, Arie, “Alles FÜHLT Der Liebe Freuden” (Monostatos)
8 Die Zauberflote, K. 620, Act 2 Scene 8: Dialog, “Zurücke! Ich Gotter! O Weh!” (Konigin Der Nacht, Pamina, Monostatos)
9 Die Zauberflote, K. 620, Act 2 Scene 8: No. 14, Arie, “Der Holle Rache Kocht in Meinem Herzen” (Konigin)
10 Die Zauberflote, K. 620, Act 2 Scene 9: Dialog, “Morden Soll Ich? Was Soll Ich Nun? So Fahr Denn Hin! Herr, Strafe Meine Mutter Nicht!” (Pamina, Monostatos, Sarastro)
11 Die Zauberflote, K. 620, Act 2 Scene 12: No. 15, Arie, “In Diesen Heil’gen Hallen” (Sarastro)
12 Die Zauberflote, K. 620, Act 2 Scene 13: Dialog, “Hier Seid Ihr Euch Beide Allein Überlassen Tamino! Ist Das FÜR Mich?” (Sprecher, Papageno, Tamino, Ein Altes Weib)
13 Die Zauberflote, K. 620, Act 2 Scene 16: No. 16, Terzett, “Seid Uns Zum Zweitenmal Willkommen” (Drei Knaben)
14 Die Zauberflote, K. 620, Act 2 Scene 17: Dialog, “Tamino, Wollen Wir Nicht Speisen? Du Hier? Gütige Gotter!” (Papageno, Pamina, Tamino)
15 Die Zauberflote, K. 620, Act 2 Scene 18: No. 17, Arie, “Ach, Ich FÜHL’s, Es Ist Verschwunden!” (Pamina)
16 Die Zauberflote, K. 620, Act 2 Scene 19: Dialog, “Nicht Wahr, Tamino, Ich Kann Auch Schweigen” (Papageno)
17 Die Zauberflote, K. 620, Act 2 Scene 20: No. 18, Chor, “O Isis Und Osiris” (Die Priester)
18 Die Zauberflote, K. 620, Act 2 Scene 21: Dialog, “Prinz, Dein Betragen War Bisher Männlich Und Gelassen” (Sarastro, Pamina, Tamino)
19 Die Zauberflote, K. 620, Act 2 Scene 21: No. 19, Terzett, “Soll Ich Dich Teurer Nicht Mehr Sehn?” (Pamina, Sarastro, Tamino)
20 Die Zauberflote, K. 620, Act 2 Scene 22: Dialog, “Tamino! Tamino! Mensch! Du Hättest Verdient” (Papageno, Sprecher)
21 Die Zauberflote, K. 620, Act 2 Scene 23: No. 20, Arie, “Ein Mädchen Oder Weibchen” (Papageno)
22 Die Zauberflote, K. 620, Act 2 Scene 24: Dialog, “Da Bin Ich Schon, Mein Engel! Fort Mit Dir, Junges Weib!” (Ein Altes Weib, Papageno, Sprecher)
23 Die Zauberflote, K. 620, Act 2 Scene 26: No. 21, Finale, “Bald Prangt, Den Morgen Zu Verkünden Du Also Bist Mein Bräutigam?” (Drei Knaben, Pamina)
24 Die Zauberflote, K. 620, Act 2 Scene 27: “Holdes Mädchen, Sieh Uns An!” (Drei Knaben, Pamina)
25 Die Zauberflote, K. 620, Act 2 Scene 28: “Der, Welcher Wandert Diese Strasse Voll Beschwerden” (Zwei Geharnischten, Tamino, Pamina)
26 Die Zauberflote, K. 620, Act 2 Scene 28: “Tamino Mein! O Welch Ein GLÜCK!” (Pamina, Tamino, Zwei Geharnischten)
27 Die Zauberflote, K. 620, Act 2 Scene 28: Marsch – “Wir Wandelten Durch Feuergluten Triumph! Triumph! Du Edles Paar!” (Pamina, Tamino, Die Priester, Die Gefolge)
28 Die Zauberflote, K. 620, Act 2 Scene 29: “Papagena! Papagena! Papagena!” (Papageno, Drei Knaben)
29 Die Zauberflote, K. 620, Act 2 Scene 29: “Klinget Glockchen Klinget” (Papageno, Drei Knaben)
30 Die Zauberflote, K. 620, Act 2: “Pa-Pa-Pa” (Papageno, Papagena)
31 Die Zauberflote, K. 620, Act 2 Scene 30: “Nur Stille! Stille! Stille!” (Monostatos, Konigin Der Nacht, Drei Damen)
32 Die Zauberflote, K. 620, Act 2 Scene 31: “Die Strahlen Der Sonne Vertreiben Die Nacht” (Sarastro, Die Priester)
33 Die Zauberflote, K. 620, Act 2 Scene 31: “Es Siegte Die Stärke” (Die Priester)
– Disc 44 –
1 La Gazza Ladra: Overture
2 La Donna Del Lago: Mura Felici (Act 1)
3 Stabat Mater: Inflammatus Et Accensus
4 La Cenerentola, or la Bonta in Trionfo, ‘Cinderella’: Della Fortuna
5 Zelmira: Terra Amica (Act 1)
6 Bianca E Falliero: Cielo, Il Mio Labbro Ispira

– Disc 45 –
1 Guillaume Tell: Ne M’abandonne Pas (Non Mi Lasciare)
2 Il Barbiere Di Siviglia, Act I: Largo Al Factotum
3 Petite Messe Solennelle: Agnus Dei
4 L’italiana in Algeri: Pappataci! Che Mai Sento
5 Zelmira: Perche Mi Guardi, E Piangi
6 Le Siege de Corinthe: La Flamme Rapide. La Gloire Et la Fortune (Act 1)
7 Il Viaggio a Reims (Or L’albergo Del Giglio D’oro): Ah! a Tal Colpo Inaspettato