The preparation and realisation of this project were carried out in the context of our “First Professional, Research and Performance Using Period Instruments Academy.” Organised by CIMA (International Early Music Centre) Foundation and ESMUC, under my own direction, with the collaboration of Manfredo Kraemer and the soloists of Concert des Nations, the Academy’s objective was to foster the participation of young professional musicians from various countries in Europe and America. Our master classes on individual and ensemble playing, sound, articulation, ornamentation, improvisation, phrasing, dynamics and characteristics of dance and tempo in the performance of orchestral music at the time of Rameau informed and enhanced the rehearsals leading up to concerts in Barcelona, Eindhoven, Cologne, Rotterdam, Metz, Paris and Versailles. The present recording was made in the wonderful concert hall of the Arsenal in Metz, followed a few days later by the DVD recording of the concert given at the Théâtre Royal de Versailles.
Les Indes Galantes 1735
Suite d’orchestre
1. Ouverture
2. Musette en Rondeau
3. Air vif
4. Air des Incas pour la dévotion du Soleil
5. Air pour les amants qui suivent Bellone*
6. Air pour les guerriers*
7. Menuets pour les Guerriers et Amazones I & II
8. Orage*
9. Air pour les esclaves africains*
10. Air pour Borée et la Rose*
11. 2ème Air pour les Zephirs*
12. Tambourins I/II *
13. Chaconne
Naïs 1748
Suite d’orchestre
14. Ouverture
15. Musette tendre
16. Rigaudons I /II
17. Sarabande
18. Gavotte pour les Zéphirs
19. Loure
20. Musette
21. Tambourins I/II
22. Entrée des Luteurs
23. Chaconne
24. Air de Triomphe
Zoroastre 1749
1. Ouverture
2. Passepieds I/II
3. Loure
4. Air des Esprits Infernaux II
5. Air tendre en Rondeau
6. Air Grave
7. Gavotte en Rondeau
8. Sarabande
9. Contredanse
Les Boréades 1764
Suite d’Orchestre
10. Ouverture
11. Entrée
12. Entrée des Peuples
13. Contredanse en rondeau
14. Les Vents
15. Gavotte I & II pour les heures et les Zephirs
16, Menuets I- II
17. Contredanse très vive
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