Both of these composers maintained a unique and unusually strong relationship with each other. Their friendship was both artistic and personal: it was characterized by mutual respect and admiration. That made it even more of a challenge for me to enter into the world of two remarkable composers-and persons as well- in order to provide the listener with a chronological insight into the years from early Schumann to late Brahms. On one hand we have both of the poetic and programmatic cycles, one of them very early Schumann, and the other quite late (Opus 2 and 82 respectively)-one could call it a journey from the ballroom filled with people and masks as portrayed in Papillons to the solitude of the forest as depicted in Waldszenen. In contrast to this we have the late, masterful, and extremely non-programmatic music of Brahms’s Opus 118, very simply entitled Klavierstcke. As a whole, this CD offers the listener a chance to observe the development of the miniature for piano solo, a completely innovative form at the time. It is a development that extends over more than 60 years of the 19th century (1829-1892).
01. Papillons, Op. 2: No. 1. Introduction. Moderato 0:18
02. Papillons, Op. 2: No. 2. Waltz 0:47
03. Papillons, Op. 2: No. 3. Waltz. Prestissimo 0:27
04. Papillons, Op. 2: No. 4. Waltz 0:54
05. Papillons, Op. 2: No. 5. Waltz. Presto 0:58
06. Papillons, Op. 2: No. 6. Polonaise 2:11
07. Papillons, Op. 2: No. 7. Waltz 1:02
08. Papillons, Op. 2: No. 8. Waltz. Semplice 1:01
09. Papillons, Op. 2: No. 9. Waltz 1:16
10. Papillons, Op. 2: No. 10. Waltz. Prestissimo 0:41
11. Papillons, Op. 2: No. 11. Waltz. Vivo – Più lento 2:53
12. Papillons, Op. 2: No. 12. Polonaise 3:29
13. Papillons, Op. 2: No. 13. Finale 2:51
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