1Weichet Nur, Betrübte Schatten, BWV 202: I. Aria “Weichet nur, betrübte Schatten” Carolyn Sampson, Freiburger Barockorchester and Petra Müllejans6:37
2Weichet Nur, Betrübte Schatten, BWV 202: II. Recitativo “Die Welt wird wieder neu” Carolyn Sampson, Petra Müllejans and Freiburger Barockorchester0:25
3Weichet Nur, Betrübte Schatten, BWV 202: III. Aria “Phoebus eilt mil schnellen Pferden” Carolyn Sampson, Freiburger Barockorchester and Petra Müllejans3:31
4Weichet Nur, Betrübte Schatten, BWV 202: IV. Recitativo “Drum sucht auch Amor sein Vergnügen” Carolyn Sampson, Petra Müllejans and Freiburger Barockorchester0:37
5Weichet Nur, Betrübte Schatten, BWV 202: V. Aria “Wenn die Frühlingslüfte streichen” Carolyn Sampson, Freiburger Barockorchester and Petra Müllejans2:52
6Weichet Nur, Betrübte Schatten, BWV 202: VI. Recitativo “Und dieses ist das Glücke” Carolyn Sampson, Freiburger Barockorchester and Petra Müllejans0:42
7Weichet Nur, Betrübte Schatten, BWV 202: VII. Aria “Sich üben im Lieben” Carolyn Sampson, Petra Müllejans and Freiburger Barockorchester4:19
8Weichet Nur, Betrübte Schatten, BWV 202: VIII. Recitativo “So sei das Band der keuschen Liebe” Carolyn Sampson, Freiburger Barockorchester and Petra Müllejans0:23
9Weichet Nur, Betrübte Schatten, BWV 202: IX. Gavotte Sehet in Zufriedenheit Carolyn Sampson, Petra Müllejans and Freiburger Barockorchester1:40
10Tritt auf die Glaubensbahn, BWV 152: I. Sinfonia Freiburger Barockorchester and Petra Müllejans3:18
11Tritt auf die Glaubensbahn, BWV 152: II. Aria “Tritt auf die Glaubensbahn” (bass) Andreas Wolf, Petra Müllejans and Freiburger Barockorchester2:40
12Tritt auf die Glaubensbahn, BWV 152: III. Recitativo “Der Heiland ist gesetzt” (bass) Andreas Wolf, Freiburger Barockorchester and Petra Müllejans2:00
13Tritt auf die Glaubensbahn, BWV 152: IV. Aria “Stein, der über alle Schätze” (soprano) Carolyn Sampson, Petra Müllejans and Freiburger Barockorchester4:36
14Tritt auf die Glaubensbahn, BWV 152: V. Recitativo “Es ärgre sich die kluge Welt” (bass) Andreas Wolf, Petra Müllejans and Freiburger Barockorchester1:21
15Tritt auf die Glaubensbahn, BWV 152: VI. Aria “Wie soll ich dich, Liebster der Seele, umfassen?” (duetto) Carolyn Sampson, Freiburger Barockorchester, Andreas Wolf and Petra Müllejans4:23
16Mein Herze schwimmt im Blut, BWV 199: I. Recitativo “Mein Herze schwimmt im Blut” Carolyn Sampson, Petra Müllejans and Freiburger Barockorchester2:00
17Mein Herze schwimmt im Blut, BWV 199: II. Aria “Stumme Seufzer, stille Klagen” Carolyn Sampson, Petra Müllejans and Freiburger Barockorchester7:46
18Mein Herze schwimmt im Blut, BWV 199: III. Recitativo “Doch Gott muß mir genädig sein” Carolyn Sampson, Freiburger Barockorchester and Petra Müllejans1:00
19Mein Herze schwimmt im Blut, BWV 199: IV. Aria “Tief gebückt und voller Reue” Carolyn Sampson, Petra Müllejans and Freiburger Barockorchester7:51
20Mein Herze schwimmt im Blut, BWV 199: V. Recitativo “Auf diese Schmerzensreu” Carolyn Sampson, Freiburger Barockorchester and Petra Müllejans0:12
21Mein Herze schwimmt im Blut, BWV 199: VI.Choral “Ich, dein betrübtes Kind” Carolyn Sampson, Petra Müllejans and Freiburger Barockorchester1:45
22Mein Herze schwimmt im Blut, BWV 199: VII. Recitativo “Ich lege mich in diese Wunden” Carolyn Sampson, Petra Müllejans and Freiburger Barockorchester0:44
23Mein Herze schwimmt im Blut, BWV 199: VIII. Aria “Wie freudig ist mein Herz” Carolyn Sampson, Freiburger Barockorchester and Petra Müllejans2:10
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