The Theater of Early Music (TEM), Daniel Taylor’s new ensemble, is back on this second disc. There shine four leading singers in three of Bach’s oldest cantatas, with a rich and varied instrumentation. In keeping with some research into the historical performance of Bach’s cantatas, the works are presented here with a single singer per part in the choral sections. The benefits of such a solution for the expressive rendition and clarity of Bach’s counterpoint become evident upon listening.
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