The repertoire for recorder slowly dissipated after the Baroque era only emerging occasionally throughout subsequent eras but becoming reliant on transcriptions primarily thereafter. The La Cicela Ensemble’s ‘Naples 1759’ spotlights works for recorder and chamber ensemble that did emerge ever so briefly and in small quantity during 1759 though the provenance of these pieces are not entirely certain, with some speculated to have been written earlier; still, these world premiere recordings in the hands of La Cicela directed by the recorder player Inês D’Avena are given a spirited performance.
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